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.STEP XII Ask your spectator if she sees anything wrong with her characterportrait.Before she can answer say "I know" then turn the face-up six around endfor end."Her belly button was upside down.There's also something else thatdoesn't quite fit this model of cardboard femininity.the out-of-kilter Kilt.Gingerly pick up the two face-down Kilt cards, ask a spectator to blow on them(any ad-libs here will be at your own risk), then display their transformation intotwo aces.Here's your big finish, "and you can't ask for a nicer pair than that." Onthe word "that," drop the two aces face down onto both sides of the six to properlydisplay the nice pair.Fig.4. Take apart the Wonder Woman and re-assemble the deck.It's okay to shufflethe cards.but don't get fresh.Presentation:The action and the presentation of Wonder Woman are a direct function ofeach other.so you'll already know the basic presentation from having learnedthe routine.To get into "Wonder Woman," I wait for someone to ask if I can tell fortunes.If I'm in hurry I'll bring up the subject myself.The opening remarks go somethinglike this:"No, I don't tell fortunes, but there is a way of using the cards to accuratelyreveal a person's character.I'll shuffle the cards so that they can do a personalityprofile on me first  just so you know it's not dangerous, then I'll let you shufflethe deck so that I can learn all about you."And so begins the final Close-up Seduction.I can't think of a better use of cards than to let someone know that you thinkthey're nice.for me, that's what close-up is all about.Official Notice Of Appreciation ForClose-Uppers Everywhere!For stretching your imaginations and opening your minds to explore the innerand outer limits of Close-up.remember to be realP.H.152 [ Pobierz całość w formacie PDF ]
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